Linguagem Afrofuturista no videoclipe Nave de Xênia França
In this paper, I intend to identify how Afrofuturist language appropriates representation codes in an audiovisual design project, such as a music video. Being a strategy of resistance against racism. For this, the object of study is the music video of Nave, by Brazilian artist Xênia França. As a met...
| Autor principal: | Silva, Roger Luiz Pereira da |
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| Formato: | Trabalho de Conclusão de Curso (Graduação) |
| Idioma: | Português |
| Publicado em: |
Universidade Tecnológica Federal do Paraná
2021
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| Assuntos: | |
| Acesso em linha: |
http://repositorio.utfpr.edu.br/jspui/handle/1/23693 |
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| Resumo: |
In this paper, I intend to identify how Afrofuturist language appropriates representation codes in an audiovisual design project, such as a music video. Being a strategy of resistance against racism. For this, the object of study is the music video of Nave, by Brazilian artist Xênia França. As a methodology, a bibliographic review is performed from the studies of identity representation (Stuart Hall), Black Movement (Nilma Lino Gomes) and Afrofuturism (Ytasha Womack). Thus, the search understands how design techniques become crucial tools for the construction of images and social emancipations, changing as strategies inserted in the music video. |
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