Trajetórias de mulheres no circuito fotográfico de Curitiba (1970 - 1980)
In this research I highlight the role of photographers in the photographic circuit in Curitiba, in the 1970s and 1980s. In the light of research on Women’s History, I aim to reconstruct the trajectories, experiences and sociability of women in photography in the city during this period. For this, in...
| Autor principal: | Oliveira, Heloisa Nichele de |
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| Formato: | Dissertação |
| Idioma: | Português |
| Publicado em: |
Universidade Tecnológica Federal do Paraná
2021
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| Assuntos: | |
| Acesso em linha: |
http://repositorio.utfpr.edu.br/jspui/handle/1/26443 |
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| Resumo: |
In this research I highlight the role of photographers in the photographic circuit in Curitiba, in the 1970s and 1980s. In the light of research on Women’s History, I aim to reconstruct the trajectories, experiences and sociability of women in photography in the city during this period. For this, in the articulation of the theoretical framework, oral narratives and a diverse set of documentary sources such as newspapers, magazines, photographs and catalogs, I map, describe and analyze events, spaces and networks of sociabilities from which the work of photographers was made gift. In this sense, I understand photography as a social practice located according to the notion of cultural circuit, which touches on individual projects of photographers in the exercise of their profession. For this mapping, I use public and personal files, from physical and digital collections. As a result, I hope to contribute to research that investigates the protagonism of women in photography, based on the argument that looking at these trajectories inserted in a field of situated, contingent and dynamic possibilities, makes it possible to locate the work of photographers in arrangements that overwrite positions social, alliances, disputes, resistances, transits and deviations. |
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