Registro fonte: Olhares oblíquos em El cuerpo en que nací, de Guadalupe Nettel, e Sangre en el ojo, de Lina Meruane

Olhares oblíquos em El cuerpo en que nací, de Guadalupe Nettel, e Sangre en el ojo, de Lina Meruane

This research proposes the analysis of the literary works named El cuerpo en que nací (2011), by the Mexican Guadalupe Nettel, and Sangre en el ojo (2012), by the Chilean Lina Meruane. Inscribed in the contemporary HispanoAmerican context, the works strengthen relationships by sharing themes around...

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Autor principal:	Müller, Gabriella Viana
Formato:	Dissertação
Idioma:	Português
Publicado em:	Universidade Tecnológica Federal do Paraná 2022
Assuntos:	Literatura comparada Mulheres e literatura Animais na literatura Literatura hispano-americana Meruane, Lina, 1970- Literature, Comparative Women and literature Animals in literature Spanish-American literature CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS Letras
Acesso em linha:	http://repositorio.utfpr.edu.br/jspui/handle/1/29239
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id	riut-1-29239
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spelling	riut-1-292392022-08-13T06:06:24Z Olhares oblíquos em El cuerpo en que nací, de Guadalupe Nettel, e Sangre en el ojo, de Lina Meruane Oblique eyes in El cuerpo en que nací, of Guadalupe Nettel, and Sangre en el ojo, of Lina Meruane Müller, Gabriella Viana Nascimento, Naira de Almeida http://lattes.cnpq.br/0236397197143225 Cerdeira, Phelipe de Lima https://orcid.org/0000-0002-9097-8250 http://lattes.cnpq.br/5328133725563043 Cantarin, Márcio Matiassi https://orcid.org/0000-0002-8622-9345 http://lattes.cnpq.br/8396759751370138 Nascimento, Naira de Almeida http://lattes.cnpq.br/0236397197143225 Literatura comparada Mulheres e literatura Animais na literatura Literatura hispano-americana Meruane, Lina, 1970- Literature, Comparative Women and literature Animals in literature Spanish-American literature CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS Letras This research proposes the analysis of the literary works named El cuerpo en que nací (2011), by the Mexican Guadalupe Nettel, and Sangre en el ojo (2012), by the Chilean Lina Meruane. Inscribed in the contemporary HispanoAmerican context, the works strengthen relationships by sharing themes around the eye: about blindness as a specific experience to the blindness representation in literature. It explores how the protagonists’ eye conditions glimpse an antihegemonic gaze on themselves and on the world, accentuating the political character of the gaze in the studied works; for that, the theorists Marilena Chauí (1998) and Marta Pascua Canelo (2019) help on elucidating the possible subjectivities and multiplicities that emanate from the look. The purpose of this paper is to trace, from the “oblique eyes”, two main theoretical perspectives. First, bringing reflections about the literary genre, with autofiction theorists such as Philippe Lejeune (1971), Diana Klinger (2006) and Manuel Alberca (2008), we analyze the formal aspects that allow us to think about narratives as autofiction to understand the function of this literary genre. Scriptural resource within the diegeses. In the second part of the paper, a reading of the works from the perspective of Animal Studies is presented, a research area whose studies arose more broadly with the socalled “animal turn” in the end of the 20th century, and presents latent affinities with the narratives. Gabriel Giorgi (2016), Brian Massumi (2017), Eduardo Viveiros de Castro (2014), Michel Foucault (2001) and Roberto Esposito (2016) are the main authors to provide theoretical support to understand how the protagonists elaborate their subalternities – arising from the eye diseases, gender and geographic situationalities – through animality. A presente pesquisa propôs a análise das obras literárias El cuerpo em que nací (2011), da mexicana Guadalupe Nettel, e Sangre em el ojo (2012), da chilena Lina Meruane. Inscritas no contexto hispano-americano contemporâneo, as obras estreitam relações ao compartilharem das temáticas em torno do olho: da cegueira como experiência própria à representação da cegueira na literatura. Explora-se como as condições oculares das protagonistas vislumbram uma mirada anti-hegemônica sobre si mesmas e sobre o mundo, acentuando o caráter político do olhar nas obras estudadas; para tanto, as teóricas Marilena Chauí (1998) e Marta Pascua Canelo (2019) auxiliam a elucidar as possíveis subjetividades e multiplicidades que emanam do olhar. A proposta deste estudo é traçar, a partir dos “olhares oblíquos”, duas perspectivas teóricas principais. Primeiramente, trazendo reflexões acerca do gênero literário, com teóricos da autoficção como Philippe Lejeune (1971), Diana Klinger (2006) e Manuel Alberca (2008), analisa-se os aspectos formais que permitem pensar as narrativas enquanto autoficção para compreender a função desse recurso escritural dentro das diegeses. Na segunda parte do texto, apresenta-se uma leitura das obras sob o viés dos Estudos Animais, área de pesquisa cujos estudos despertaram de forma mais ampla com a chamada “virada animal” no final do século XX, e apresenta afinidades latentes com as narrativas. Gabriel Giorgi (2016), Brian Massumi (2017), Eduardo Viveiros de Castro (2014), Michel Foucault (2001) e Roberto Esposito (2016) são os principais autores a dar suporte teórico para compreender como as protagonistas elaboram suas subalternidades – advindas das enfermidades oculares, do gênero e das situacionalidades geográficas – por meio da animalidade. 2022-08-12T19:25:45Z 2022-08-12T19:25:45Z 2022-06-24 masterThesis MÜLLER, Gabriella Viana. Olhares oblíquos em El cuerpo en que nací, de Guadalupe Nettel, e Sangre en el ojo, de Lina Meruane. 2022. Dissertação (Mestrado em Estudos de Linguagens) - Universidade Tecnológica Federal do Paraná, Curitiba, 2022. http://repositorio.utfpr.edu.br/jspui/handle/1/29239 por openAccess http://creativecommons.org/licenses/by-nc-sa/4.0/ application/pdf Universidade Tecnológica Federal do Paraná Curitiba Brasil Programa de Pós-Graduação em Estudos de Linguagens UTFPR
institution	Universidade Tecnológica Federal do Paraná
collection	RIUT
language	Português
topic	Literatura comparada Mulheres e literatura Animais na literatura Literatura hispano-americana Meruane, Lina, 1970- Literature, Comparative Women and literature Animals in literature Spanish-American literature CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS Letras
spellingShingle	Literatura comparada Mulheres e literatura Animais na literatura Literatura hispano-americana Meruane, Lina, 1970- Literature, Comparative Women and literature Animals in literature Spanish-American literature CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS Letras Müller, Gabriella Viana Olhares oblíquos em El cuerpo en que nací, de Guadalupe Nettel, e Sangre en el ojo, de Lina Meruane
description	This research proposes the analysis of the literary works named El cuerpo en que nací (2011), by the Mexican Guadalupe Nettel, and Sangre en el ojo (2012), by the Chilean Lina Meruane. Inscribed in the contemporary HispanoAmerican context, the works strengthen relationships by sharing themes around the eye: about blindness as a specific experience to the blindness representation in literature. It explores how the protagonists’ eye conditions glimpse an antihegemonic gaze on themselves and on the world, accentuating the political character of the gaze in the studied works; for that, the theorists Marilena Chauí (1998) and Marta Pascua Canelo (2019) help on elucidating the possible subjectivities and multiplicities that emanate from the look. The purpose of this paper is to trace, from the “oblique eyes”, two main theoretical perspectives. First, bringing reflections about the literary genre, with autofiction theorists such as Philippe Lejeune (1971), Diana Klinger (2006) and Manuel Alberca (2008), we analyze the formal aspects that allow us to think about narratives as autofiction to understand the function of this literary genre. Scriptural resource within the diegeses. In the second part of the paper, a reading of the works from the perspective of Animal Studies is presented, a research area whose studies arose more broadly with the socalled “animal turn” in the end of the 20th century, and presents latent affinities with the narratives. Gabriel Giorgi (2016), Brian Massumi (2017), Eduardo Viveiros de Castro (2014), Michel Foucault (2001) and Roberto Esposito (2016) are the main authors to provide theoretical support to understand how the protagonists elaborate their subalternities – arising from the eye diseases, gender and geographic situationalities – through animality.
format	Dissertação
author	Müller, Gabriella Viana
author_sort	Müller, Gabriella Viana
title	Olhares oblíquos em El cuerpo en que nací, de Guadalupe Nettel, e Sangre en el ojo, de Lina Meruane
title_short	Olhares oblíquos em El cuerpo en que nací, de Guadalupe Nettel, e Sangre en el ojo, de Lina Meruane
title_full	Olhares oblíquos em El cuerpo en que nací, de Guadalupe Nettel, e Sangre en el ojo, de Lina Meruane
title_fullStr	Olhares oblíquos em El cuerpo en que nací, de Guadalupe Nettel, e Sangre en el ojo, de Lina Meruane
title_full_unstemmed	Olhares oblíquos em El cuerpo en que nací, de Guadalupe Nettel, e Sangre en el ojo, de Lina Meruane
title_sort	olhares oblíquos em el cuerpo en que nací, de guadalupe nettel, e sangre en el ojo, de lina meruane
publisher	Universidade Tecnológica Federal do Paraná
publishDate	2022
citation	MÜLLER, Gabriella Viana. Olhares oblíquos em El cuerpo en que nací, de Guadalupe Nettel, e Sangre en el ojo, de Lina Meruane. 2022. Dissertação (Mestrado em Estudos de Linguagens) - Universidade Tecnológica Federal do Paraná, Curitiba, 2022.
url	http://repositorio.utfpr.edu.br/jspui/handle/1/29239
_version_	1805306161897930752
score	10,814766

Olhares oblíquos em El cuerpo en que nací, de Guadalupe Nettel, e Sangre en el ojo, de Lina Meruane

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