Um encontro com a escrita: o caminho traçado por Raquel em A bolsa amarela
This search presents the way taken by Raquel in A Bolsa Amarela (1976), by Lygia Bojunga Nunes, through a of his great desires: be a writer, contextualizing his other wishes and imaginary friends, who are carried by the protagonist in the yellow bag. It is also sought to associate the narrative with...
| Autor principal: | Oliveira, Bruna Marieli Vanelli de |
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| Formato: | Trabalho de Conclusão de Curso (Graduação) |
| Idioma: | Português |
| Publicado em: |
Universidade Tecnológica Federal do Paraná
2020
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| Assuntos: | |
| Acesso em linha: |
http://repositorio.utfpr.edu.br/jspui/handle/1/14691 |
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| Resumo: |
This search presents the way taken by Raquel in A Bolsa Amarela (1976), by Lygia Bojunga Nunes, through a of his great desires: be a writer, contextualizing his other wishes and imaginary friends, who are carried by the protagonist in the yellow bag. It is also sought to associate the narrative with the life of the writer and her and her professional trajectory until being recognized in the literary milieu in the 1970s, arguing the role of women in literature (as author) and the importance of the transformations that occurred in Brazil in the late nineteenth century and in the 1950s, 1960s and 1970s. It seeks to it is evident, also, in the work the factors that affect Rachel's encounter with a literature, relating them the figure of woman in society. The bibliographical research was based on theorists that debate feminine questions, as Norma Telles (2002), Maria Rocha Coutinho (1994) and Michelle Perrot (2001, 2017), as well as who discuss the children's and youth literature Laura Sandroni. (1987), Diana Maria Marchi (2000); Marisa Lajolo, Regina Zilberman (1999), among others. From this study, it is observed that the family environment is one reason why the character presents insecurity in relation to writing, which makes him find in the imagination one of the means to escape repression. With an episode in which Raquel solve the problems of her imaginary friends and realize that the bag no longer weighs, her longings are gone, causing to free herself from the conflicts. By means of themes like these, the writer Lygia Bojunga inserts herself in the literary universe to criticize the society of the age and presents to the children a reality, at the same time that it them stimulates the imagination. |
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